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Futurism: A Bright and Bizarre Movement That Changed Theatre Forever

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Beyond The Curtain Futurism: A Bright and Bizarre Movement That Changed Theatre Forever Hey there, theatre enthusiasts! Buckle up because today, we’re diving into one of the most fascinating (and sometimes controversial) movements in theatre history: Futurism! It's a whirlwind of speed, excitement, and, well, chaos. Let's break it down in a way that’s easy to understand, fun to explore, and hopefully not too weird to imagine. Ready? Let’s go! What is Futurism? Futurism was an artistic movement that started in the early 1900s, primarily in Italy but later spread to places like Russia. It wasn’t just about theatre—it covered all art forms: painting, music, poetry, and more. The goal? To break away from the past and embrace the energy and excitement of the modern, fast-paced world. Imagine cars racing, machines whirring, and everything moving at lightning speed—that’s the vibe of Futurism. In 1909, an Italian poet named  Filippo Tommaso Marinetti published a manifesto (basica...
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Theatre in the Age of Technology: When Poets Become Engineers

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  Theatre in the Age of Technology:  When Poets Become Engineers Sixty years ago, Norbert Wiener famously said, “To be successful in this new world, either the engineers must become poets, or the poets must become engineers.” This idea resonates deeply in the realm of theatre, where artists and technologists, poets and engineers collaborate to shape the future of storytelling. As we move further into the internet age, theatre continues to evolve, integrating new technologies to expand the possibilities of performance. The Intersection of Art and Technology The theatre has always embraced technological advancements. The actor at the heart of the play has long been supported by various innovations—candlelight, electricity, the printing press—all were once cutting-edge tools that transformed the theatre-making process. Technology has never been separate from storytelling; rather, it has been an essential part of it. With every technological leap, new creative possibilities emerg...
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Theatre, Naturalism or Realism, Zola contribution

Alright, folks, buckle up! Today, we're diving into some French drama history with a little romance, a lot of rebellion, and, spoiler alert—some melodramatic deaths. First stop: French Romanticism! It's like a big, dramatic sibling to Realism, which is, in turn, the more serious cousin of Naturalism. Got it? Cool. Let’s kick this off with Victor Hugo, aka the guy behind Les Misérables—yes, the same one your parents sing along to from the movie soundtrack. But Hugo wasn’t just about sad songs and revolutionaries. In 1827, he wrote Cromwell and dropped a mic (well, a quill) with its preface, which basically told the old school rules of drama: "Bye-bye, you’re boring." Hugo said art should be as messy, beautiful, and strange as life itself. His motto? Nature and truth, but, uh, not too much nature. Think of it as putting life through a filter—something bold and vibrant, like your favorite IG aesthetic. He tried this out with Hernani, a play that had everything: love, com...
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